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���������They are breaking away from the mould. Jaya Misra, who has designed for Wanted and Dujone, feels that actors today, have become much more aware of what suits them. ���������Hence it���������s essential that films are taken a few notches above the general level so that there���������s a process of growth,��������� Pooja stresses. More than clothes, it is the styling, grooming and get-up that matter.Īfter all, the right accessories and attitude make a statement.��������� With Bengali commercial films now catering to the multiplex audience, it is obvious that there���������s a general level of consciousness in fashion among viewers. Says Pooja Chatterjee, whose designs have been seen in Amanush, Bolo Na Tumi Amar and the yet-to-be-released, Autograph, Dui Prithibi and Mon Je Kore Uru Uru, ���������It is essential that there is freedom right from conceiving to designing. This execution is perfected with a little help from designers. The costumes have to be in sync with the mood, backdrop and even the co-artistes��������� outfits.��������� Since tastes are subtle, they reflect on my directorial ventures too.
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For example, I start visualising the outfits right from the script-reading sessions. The entire process has now become much more personalised. The director adds, ���������It���������s no longer about placing bulk orders for costumes to a dresser. Raj Chakrabarty too points out that the wardrobe must be at par with ���������the tone of the film���������.
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It is at such times that the producer���������s support becomes imperative,��������� Rajib reasons. ���������We never compromised on the look. With songs contributing hugely to a film���������s success, it is essential that a visually attractive song sequence is supported by a well-thought out look throughout the film,��������� says film-maker Rajib, adding how he discarded 25 ready outfits of Soham-Srabanti for his Amanush after there were some changes in the script. Looking perfect on-screen is half the battle won, feel directors.
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There is detailed planning of my next day���������s look.��������� I schedule a meeting with my director and costume designer after each day���������s shoot to check whether all���������s in place for my next day���������s schedule.
Its only pyar dui prithibi skin#
I believe that clothes are second skin and unless an actor is comfortable in his attire, the shot cannot be perfect,��������� Dev elaborates.Įchoing Dev���������s sentiments is his Dujone co-star, Srabanti: ���������For me, it���������s not just about clothes, but the entire look I am supposed to flaunt in a film. ���������I am very finicky about my clothes. Tollywood���������s current heartthrob, Dev, points out that a well-coordinated wardrobe caters to creating a craze about a film, which to a certain extent, garners its BO innings. All this is thanks to the conscious and combined initiatives of actors, film-makers, producers and designers alike. Starting off at a painstakingly slow rate, the effort has now gained momentum. This change, however, never came about in a day.